Soil Conversations curated by Nisha Merit and Yolanda Kaddu-Mulindwa
May
26
to Aug 30

Soil Conversations curated by Nisha Merit and Yolanda Kaddu-Mulindwa

  • Galerie im Körnerpark (map)
  • Google Calendar ICS

Soil Conversations presents nine artistic propositions from South Africa and Germany, looking at the granularity of soil as material, our relationship to the ground on which we build life on and soil as a bearer of memory, identity and speculative futures.

The exhibition connects two geographical points - the Galerie im Körnerpark in Berlin and the Johannesburg Art Gallery in South Africa. Soil Conversations unfolds itself rhizomatically through the sharing of curatorial and artistic processes on our project website, the two physical exhibitions and through textual engagements of writers from both cities.

Soil Conversations is an exhibition that explores the relationship between humans and the environment, both in the digital and analogue spheres. The exhibition presents soil as a space of meaning, identity, and history, and questions the concept of linearity in favour of interstitial spaces. It looks at soil as a planetary boundary, a resource that has been
exploited, a territory that forms geography, and a mixture of nurture, trauma, and cycles of life.

The exhibition also explores the relationship between the analogue and digital, considering the digital as a space of pixelated dialectics where one can exist beyond the boundaries and borders defined by history and politics, but still not completely free from them. But the body remembers — even in the transition between particles and pixels, we carry the histories
inscribed into our corporealities into this digital terra nullius. Topics such as land, history, spirituality, and the body are integral to the artworks in Soil Conversations. The exhibition aims to engage with the speculative and to explore the plurality of the past and future scenarios, as a relationship between humans and the world, and as a defining position of the present moment.

Funded by the TURN2 Fund of the Kulturstiftung des Bundes (German Federal Cultural Foundation). Funded by the Beauftragte der Bundesregierung für Kultur und Medien (Federal Government Commissioner for Culture and the Media).

Curated by Yolanda Kaddu-Mulindwa & Nisha Merit in Kooperation/cooperation mit/with Bubblegum Club

Participating artists

  • Lungiswa Gqunta

  • MADEYOULOOK

  • Io Makandal

  • Silvia Noronha

  • Nnenna Onuoha

  • Natalie Paneng

  • Theresa Schubert

  • Gemma Shepherd & Rochelle Nembhard

  • Mia Thom

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COSMOS: an exhibition curated by Nisha Merit
Aug
25
to Sep 4

COSMOS: an exhibition curated by Nisha Merit

COSMOS, an exhibition curated by Nisha Merit.

Opening 25th August 2022, 4-7pm at Toasted JHB, 138 Jan Smuts Avenue.

“For ten days Cosmos will inhabit Toasted’s courtyard and invites visitors to explore the artworks and to dive into the multiverse of the outer and inner spaces between stars, pixels and our bodily manifestations.”

Artists include

Mia Thom, Aluta Null, Oscar O’Ryan, Sukuma Mkhize , Bubblegum Club,ALK Banana & Francois Knoetze, Tinyiko Makwakwa, Gemma Shepard & Rochelle Nembhard, Magolide Collective.

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Music Sounds Better With You: an exhibition curated by Liza Grobler
Aug
5
to Aug 9

Music Sounds Better With You: an exhibition curated by Liza Grobler

  • Klein Karoo Klassique (map)
  • Google Calendar ICS

Visual arts curator Liza Grobler combines works from visual artists across South Africa, for an exhibition titled Music Sounds Better With You. The artworks are centred around music and sounds in our everyday environment. Artists include Barbara Wildenboer, Hermann Niebuhr, Norman O’Flynn, Mia Thom, Ashley B. Walters, Liza Grobler, Cameron Platter, Madikotsi Khumalo, Garth Erasmus and Lisl Barry. Art is exhibited in Liplekker, where it is also on sale.

https://kknk.co.za/eng/klein-karoo-klassique-om-die-draai/

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NIGHT SWIM
Aug
28
to Sep 11

NIGHT SWIM

  • ABC Gallery at Side Street Studios (map)
  • Google Calendar ICS

NIGHT SWIM | 28th August - 11th September 2021

Plunging participants into a monochromatic, blue environment, this experimental installation comprises of three large scale sculptures which function as speakers to lie on. Composed and coded by Lucy Strauss, these forms emit a soundscape of strings, room tone and voice, transformed by geophyscial data from the South Atlantic ocean. 

An exhibition by Mia Thom

in collaboration with

Lucy Strauss (coding and composition)

and Clare Patrick (installation design)

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Attune (Cubicle Series at CIRCA, Everard Read CPT)
Jan
11
to Jan 23

Attune (Cubicle Series at CIRCA, Everard Read CPT)

Attune explores possibilities of an unlikely duet as it speaks to complexities within dyadic relations. Comprising of an empty double bass and harp case emitting the voices of their lost instruments, these cases behave as both, imprint and shell, cast and cavity, their multiplicities revealed in an unpredictable tune. Modified as functional speakers, these two found objects broadcast an original score by composer Mikhaila Alyssa Smith.

Created as a response to the objects and their specific resonant frequencies, this work is a psychoacoustic exploration of attunement, as as “performance of behaviours that express the quality of feeling of a shared affect state,” without a sense of imitation, nor the desire to fuse. This is highlighted sonically through the intersections and dissonances of the two voices interpreting an aleatoric score, in two keys set apart by a single semitone. This work aims to create an environment which articulates an experience of proximity and the unfolding of self with other.

Positioned between the cases, the listener is engages with the instability of visible and invisible objects,“focusing on the ephemeral exactly.”


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Dec
4
to Dec 8

Bowed Electrons Festival and Symposium

  • South African Music College, UCT (map)
  • Google Calendar ICS

“The symposium will bring together researchers and practitioners from a wide variety of academic and artistic backgrounds to address issues in music technology, electronic and acousmatic music. The platform will allow participants to come together and scrutinize–both verbally and in performance–what it means to incorporate technologies in artistic musical productions.”

More information and links to follow.

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Homework
May
28
to Jun 17

Homework

  • Barnard Gallery (Online Exhibition) (map)
  • Google Calendar ICS

“Barnard is pleased to present ‘Homework’ the second in an ongoing series of online exhibitions. During this time of extended national lockdown in South Africa as a result of the COVID-19 pandemic, many or most artists have been unable to access their regular studio environments and have had to come up with creative solutions to allow them to continue working.

For some this may be a kitchen table or a simple portable plywood surface while for others any available wall or floor surface will suffice. By whichever means, what is common to all artists is the need and desire to keep on working, to keep on creating. Like breathing it is instinctual, an ‘essential’.

‘Homework’ in its simplest sense considers that work made or carried out at home. Obviously the latter differs widely from one person to another based on a number of contributing factors, but the common denominator is that it is work undertaken in an individual’s private domain whether that be a spacious environment or a one-roomed flat or container space.

As such these are works that are of a more intimate or perhaps experimental nature and are most likely smaller in scale. They could be painting ‘miniatures’ on paper, wood or canvas or alternatively water colors, drawings or collages; perhaps even more portable in the form of an artist’s book or a photographers working test proofs.

Presenting the work of the gallery’s roster of artists along side invited creatives, ‘Homework’ presents a variety of mediums and methods. Working within constraints and made in confinement this selection of work explores the ‘pulse’ and ‘essence’ of the selected artists’ work. For some this is pensive, for others more playful, but in each instance a celebration of the power and intrigue of the creative process against all odds.”

https://barnardgallery.com/viewing-room/2-homework-online-exhibition/

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Helicotrema- Recorded Audio Festival 2019
Nov
6
to Dec 6

Helicotrema- Recorded Audio Festival 2019

Wednesday 6 November
Helicotrema – Recorded Audio Festival
Palazzo Grassi and Teatrino di Palazzo Grassi

On the occasion of its eighth year, Helicotrema is back at Palazzo Grassi and at the Teatrino with new listening sessions inspired by the main themes of Luc Tuymans’ exhibition “La Pelle”.


Ouverture
 – Playlist
Atrium di Palazzo Grassi
from 5 pm to 7 pm

Helicotrema curates a playlist conceived to accompany the work Schwarzheide

Free admission to the museum from 5 pm.
Last entry at 6.30 pm

The sound of violence – Guided listening session

Entrance of the Teatrino di Palazzo Grassi
from 8.30 pm to 9.30 pm

The first session is influenced by the way in which Luc Tuymans looks at violence.

Free entry until capacity is reached.

Natura Morta / Still Life – Guided listening session
Entrance of the Teatrino di Palazzo Grassi
from 9.45 pm to 10.45 pm

The second session is inspired by how, in Luc Tuymans’ work, images found in magazines and online are represented through a unfamiliar light, an “authentic falsification” of reality.

Free entry until capacity is reached.

After the Palazzo Grassi opening event, Helicotrema will continue in December, with a series of listening sessions in Milan, in collaboration with Standards.

With sound works by:

Michael Baers
Enrico Boccioletti
Isabella Bordoni
Clarice Calvo-Pinsolle
Budhaditya Chattopadhyay
Department of Ultimology
Sylvia Eckermann and Gerald Nestler
Donato Epiro
Zuriñe F Gerenabarrena
Anton Kats
Gli impresari
Islands Songs

Marcos Lutyens
Lorena Mal
Marzia Migliora
Nana April Jun
Roberto Memoli
Flavio Scutti
Atau Tanaka
Mia Thom
Diego Tonus
Julie Vacher
Mark Peter Wright

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Art Licks Weekend Radio 2019 (UK)
Oct
17
to Oct 20

Art Licks Weekend Radio 2019 (UK)

This year sees the launch of the Art Licks Weekend radio station, run in partnership with TACO! and RTM. Commissioned artworks will be broadcast daily, alongside scheduled content from arts practitioners nationwide. The radio will act as a forum for further conversation around the festival’s theme of Interdependence and the questions it prompts.

The broadcasts will be online here:

https://rtm.fm/shows/art-licks-weekend-radio

Tune is to hear Mia Thom’s audio piece, “Here! Your Golden Scarab” on Sunday, 20th October 2019, at 13:42 :

An audio compilation of an archive, collated over a month, of 30 artists contributing vocal accounts on synchronicity, manifested dreams, visions and other inexplicable happenings.  

Contributing artists : 

Cathy Abraham 

Katherine Bull

Mira Calix

Hanien Conradie

Vanessa Cowling

Jessica Meyer

Nicola du Toit

Coila-Leah Enderstein

Lance Herman

Georgia Kruger

Michaela Limberis

Io Makandal 

Nomusa Makhubu

Khanya Mashabela

Virginia McKenny

Sukuma Mkhize

Nobukho Nqaba

Sean O’Toole 

Carolyn Parton 

Gabrielle Raaf 

Chloë Reid

Amy Rusch

Matt Slater

Katherine Spindler 

Cara Stacey

Anna Stielau

Sitaara Stodel

Mia Thom

Jasmin Valcarcel 

James Webb

Michaela Younge

Piano extracts:

1) Chopin Nocturne no 19. in E minor, op. 72 no.1 

Pianist: Estelle Roux

2) Ligeti Étude No. 10 'Der Zauberlehrling’

Artist and Pianist: Coila-Leah Enderstein 

Studio recordings conducted by Sound Engineer, Dave Langemann and artist Mia Thom

“Echo” voices: Denise Onen, Mia Thom, Katherine Spindler 

//


Thamesmead Arts and Culture Office (TACO!) is an artist-led space for research, production, and exchange located in Thamesmead, SE London. TACO! is engaged with its local context whilst simultaneously supporting dialogue with artists and contemporary art.

Launched on October 19th 2018, RTM is a new community radio station for Thamesmead that hosts a diverse and eclectic programme of local talent, music, artists, interviews and more. The station has been developed and initiated by TACO!, as part of a commissioned project by artist Sam Skinner.

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Professional Practice Workshop: Unforeseen Landscapes
Jul
13
11:30 AM11:30

Professional Practice Workshop: Unforeseen Landscapes

Please join us for a fun, professional practice workshop, with the talented photographers from our current exhibition - Unforeseen Landscapes.

We will be discussing ideas around concept, processes and presentation.

In addition to a ten-minute talk by our four presenters, Mia Thom, Matt Slater, Dale Yudeman & Aldo Brincat, you will also get to engage with some of the other photographers from the show.

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Studio Talks with Sukuma Mkhize
Jul
10
11:00 AM11:00

Studio Talks with Sukuma Mkhize

A four part investigation into astronomy, sound and visual art co-ordinated by Artist-in-Residence Sukuma Mkhize*.

Entrance is free // limited space // be punctual // bring lots of questions.

Part 1
3 July // 11am-12.30pm // Music Notation & Sound Sculpture with Nicolaas van Reenen

Soundscapes often hit the ears (senses) in a manner that is devoid of their geometrical nature. However to the trained musician, every note has an associated notation along with its related geometry. Here I invite Cape Town electronic music producer and recording artist, Ex Olympic (formerly of the Cape Town based Bateleur band whose collaborations include Beatenberg band as well as his own electronic music remixes and boiler room appearances) to discuss soundscapes and geometry.


Part 2
10 July // 11am-12.30pm // Astrophysical translation with Mia Thom

This meeting addresses the relation of astrophysical processes and their audiovisual representations. Here I invite Mia Thom to discuss this intersection.

Mia Thom is an interdisciplinary artist whose work often explores the translation of astronomical data from telescopes (such as the ones at South African Astronomical Observatory) into their audio & visual counterparts.

More on Mia can be found here https://www.miathom.com/


Part 3
17 July // 11am-12:30pm // Geometry into Sculpture with David Brits

In this discussion, the oftentimes implicit relation between Sculpture & Geometry is explored by inviting Cape Town based interdisciplinary artist David Brits whose current work focuses on public scale sculpture.

Part 4
24 July // 12am-1pm // Physics & Geometry with Professor Jeff Murugan

Modern formulations of physics rely heavily on the use of symmetry & related geometries of space-time. Explicit relations were first explored in the late 1920’s in General Relativity & Quantum Field Theories. In practice, every physical law has an associated background within which the particles or fields evolve. This background is necessarily geometric. For this engagement, I invite a former lecturer of mine, Prof. Jeff Murugan from the Laboratory for Quantum Gravity & Strings (director) UCT and Departmental Head UCT Maths & Applied Mathematics.

*Sukuma Mkhize is an astrophysicist, tutor in mathematics & physics, published writer and radio host. For the months of June & July, Mkhize is Artist-in-Residence at A4 Arts, where he explores the intersection of astronomy and art. Mkhize's work transforms fundamental ideas in physics into sound and light sculpture.


____
Image: The Hubble Deep Field : Looking back 10 billion years into the night sky ---by R. Williams, The HDF Team HST

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PhotoPlay
May
29
to May 30

PhotoPlay

Iconic Silent films are reimagined with newly composed scores that will be performed live during the screenings.
Bring a cushion and a drink/snacks

Artist Mia Thom will also be exhibiting a new body of work titled “Mind the Gap”, so come a little earlier to have a look. Artworks will be for sale.

Date: 29 May 2019
Time: 19:30
Place: Untitled Studio - 143 Harrington street
Tickets: R120 / R80 at the door

Featuring:
Matthijs van Dijk (Violin and Composition)
Lucy Strauss (Violia and Composition)
Louisa Theart (Flutes)
Brydon Bolton (Double Bass)

Showing:
A trip to the Moon
The Motorist
Ballet Mechanique
Mary Jane's Mishap
and more...

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Nano 1.3, Barnard Gallery Group Show
May
28
to Jun 25

Nano 1.3, Barnard Gallery Group Show


- nano 1.3

28 May - 25 June 2019
Join us for the opening reception on Tuesday 28 May from 6:30 pm onwards
  
 

A concept of relative simplicity, - nano 1.3 invites artists to zoom in, scale down, shrink, condense, encapsulate and compact; submitting works with an exact height of 20cm and a maximum width of 30cm. The exhibition is an opportunity to play with scale, to explore what effects it has for both artist and viewer, and what new parameters it may set for the curator and the gallery space.
 
Smaller works immediately require and create a greater intimacy with the viewer, compelling us to come closer, look closer, stay longer.  While large, expansive works keep us at a distance, smaller works activate interiority and introspection. They require a sharper focus, a keener gaze, a lingering attention. Playing into our fascination with the miniature, small works conjure whimsy, a sense of the magical, a playfulness. But profundity need not be reserved only for the grandiose, and by requiring an economy of expression from the artist, smaller works are also often surprisingly affecting and impactful.

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Listening Room, Michaelis Upper Gallery
Mar
28
to Apr 18

Listening Room, Michaelis Upper Gallery

  • Michaelis School of Fine Art, Michaelis Galleries (map)
  • Google Calendar ICS

LISTENING ROOM

Curated by Nkule Mabaso, Luvuyo Equiano Nyawose & Chloë Reid. 

An exhibition of sound-based work featuring Jenna Burchell, Mira Calix, FAKA, Mitchell Gilbert, Quaid Heneke, Dani Kyengo, Jabu Nadia Newman, Sean O’Toole, Mia Thom, Kemang Wa Lehulere with Mandla Mlangeni, and James Webb.

Listening Room invites artists to contribute to an exhibition that reflects on the position and scope of audio in contemporary art. The responses present a miscellany of practices.

Michaelis Galleries Upper
Opens Thursday 5pm
28 March – 18 April 2019

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Solo Show: Invisible Motifs
Jan
31
to Feb 18

Solo Show: Invisible Motifs

  • Cape Town School of Photography (map)
  • Google Calendar ICS
Invisible Motifs, Mia Thom (front page).jpg

Mia Thom | Invisible Motifs

Solo Exhibition | 31.01.19 to 18.02.19


PRESS RELEASE

 A voice calls out from the darkness, only it isn’t a human voice, it’s the song of a string quivering against a wooden soundboard on the shoulder of a violin player. A deeper note responds from bow on cello, elsewhere. I can sense the space opening up in my consciousness. The sounds from the two performers probe the darkness, describing the corners of the room with an aural sight.

Excerpt from catalogue essay by Natasha Norman


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Jan
22
to Feb 26

Group Show: Monochrome, Barnard Gallery

Mia Thom, Synaesthesia (still), audio-visual installation, projection of Max MSP programmed patch translating the audio of two voices to light, 2019

Mia Thom, Synaesthesia (still), audio-visual installation, projection of Max MSP programmed patch translating the audio of two voices to light, 2019

Press Release:

“Barnard is pleased to present Monochrome– a group exhibition featuring painting, photography, drawing video installation and collage by selected artists.

Monochrome is a term used to indicate a work of art composed entirely in black and white, shades of grey, or a single hue. This limitation of colour palette has proved a powerful tool for artists across the centuries, both in the way it works to accentuate the other formal elements of a work – such as line, composition or tone – and in the opportunities it provides to create works of a more meditative or contemplative nature. Some of the earliest examples of works of art specifically commissioned in monochrome were those created by Cistercian monks in the 12th century, producing stained glass windows and illuminated manuscripts exclusively in monochrome, or grisaille. Believing colour to be superfluous and overly stimulating for the senses, works were to be created in monochrome so as to encourage quiet and divine contemplation.

Thus, beginning in the 1100s, this view of colour as unnecessarily distracting and the turn to reduced colour palettes in the search for a purer and more direct connection with the divine power of art came into full force in the work of 20th century modern artists, especially those pioneering groundbreaking abstract modes of painting, such as Kazimir Malevich, Pablo Picasso, Piero Manzoni and Yves Klein. Here, the search for the divine was not so much a religious gesture as an assertion of the purity of the formal elements of art, of an art for art’s sake. Monochrome allowed artists to circumvent illusion and celebrate the essential fact of painting, to emphasize the picture surface, and to intensify the effects of the formal elements and spatial relationships within a work.

It is fascinating how much variety can exist within monochromatic works despite the limitation of colour, a fact which is made very much apparent in the paintings, photographs, drawings and collages collected for this exhibition. The reduction of colour only serves to heighten the idiosyncracities of individual artists: their use of brushwork, mark making, gradations of tone, and their compositional logic. For some artists, such as Jono Dry, monochrome enables the hyperealistic illusion of a black and white photograph; while for others the effect is to push a figurative artistic language even further into abstraction, as is the effect in work by Alexia Vogel. The exhibition is not limited only to works in black and white, as is evident in work by Nina Liebenberg, who focuses on the colour blue, or Gretchen van der Byl, who contrasts black with shades of deep green. For artists such as Dominique Edwards and Tom Cullberg, working in a more abstracted mode, monochrome allows for the heightened dynamism of line, texture and gesture.

Monochrome runs from the 22 January to the 26 February, 2019 and features works by Tom Cullberg, Lien Botha, Svea Josephy, Alexia Vogel, Pierre le Riche, Gretchen van der Byl, Jaco van Schalkwyk, Dominique Edwards, Alastair Whitton, Sepideh Mehraban, Nina Liebenburg, Robyn Penn, Connor Cullinan, Vanessa Cowling, Jono Dry, MJ Lourens, Mia Thom, Richard Penn and Katherine Spindler.”

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Group Show: Nano 1.2, Barnard Gallery
Jun
5
to Jul 10

Group Show: Nano 1.2, Barnard Gallery

Press Release:

“A concept of relative simplicity, nano- 1.2 invited artists to zoom in, scale down, shrink, condense, encapsulate and compact; submitting works no larger than 20 x 20 cm. The exhibition is an opportunity to play with scale, to explore what effects it has for both artist and viewer, and what new parameters it may set for the curator and the gallery space.

Smaller works immediately require and create a greater intimacy with the viewer, compelling us to come closer, look closer, stay longer. While large, expansive works keep us at a distance, smaller works activate interiority and introspection. They require a sharper focus, a keener gaze, a lingering attention.  Playing into our fascination with the miniature, small works conjure whimsy, a sense of the magical, a playfulness. But profundity need not be reserved only for the grandiose, and by requiring an economy of expression from the artist, smaller works are also often surprisingly affecting and impactful.”

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Performance: Nocturne for a Camera Obscura
Mar
1
to Apr 1

Performance: Nocturne for a Camera Obscura

  • Eclectica Contemporary (map)
  • Google Calendar ICS

Eclectica Contemporary is very excited to present a group exhibition that focuses on photographic arts. 

The exhibition (Stop, Stop, Click) also includes a sound art performance by Mia Thom and will be performed with Estelle Roux, Jessica Scott and Lucy Strauss. The performances will take place four times during the exhibition and will have limited seating.

________________________________________________________________________________________

The room like a large instrument;

its walls, permeable,

sounds seeping through

interior and exterior lives 

porous, inseparable

(yours and mine)

Nocturne for a Camera Obscura by Mia Thom

Violin, Viola, Cello and Broken Piano with sampled photographic sounds played through multi-channel speaker system.

Time: +-15min

Score written by Lucy Strauss

Performed by Mia Thom, Lucy Strauss, Estelle Roux and Jessica Scott.

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Group Show: Stop, Stop, Click
Mar
1
to Apr 2

Group Show: Stop, Stop, Click

  • Eclectica Contemporary (map)
  • Google Calendar ICS

Press Release:

“A key question hitting the art world and specifically contemporary photographers is the question of the future of the image. To stop, to pause, to click manifests in everyday life across so many platforms and interactions. To take seriously the art of photography, does this mean a forfeiting of chance? Of the momentary and immediate? Or does it simply mean a reconsidering of interaction and a reframing of approach to image-making?

The danger within all of this is to not move so far beyond what is accessible – to make work that pushes limits and challenges the viewer without alienating them. The artists featured in this group exhibition each pause on the idea of making and taking and present work that offers a fresh new realm of possibility within their medium.

Kyu Sang Lee, whose mysterious black and white imagery test our boundaries of understanding, assumption and trust in photography beguiles the viewer with his subtle and impactful images. Playing with scale and perspective – both in the images themselves and in their presentation, Lee’s work offers a playful and somewhat sinister example of photography as an experimental art form. Mia Thom, a recent Michaelis graduate has pushed the boundaries of photography beyond and around the darkroom – using space as a springboard into sonic possibilities and performance. Thom’s visual work illuminates the liminal space of analog processes, toying with use of instrument or mechanism in two-dimensional space.

Justin Dingwall, known to many as a prolific and skilled image maker and portrait taker, offers up his hyperreal surreal images that toy with gravity, light and colour. His work captures symbolism and discourse in the present, activating the magic of photographic media and combining his narrative to form new and evolving eventualities. Morgan Kundhardt’s twin existence between herself and her twin sister has informed much of her process. By cutting and splicing images and photographs, Kundhardt explores in images what her twin sister offers in writing, overlapping and blurring between creative processes. The sculptural imagery of Biance Bell flips perspective and shifts our understanding of imagery. Bell extends what was previously confined to two dimensional surfaces, pulling our eye forwards and back along focal planes and cleverly expanding perspectives in Perspex.

The participating artists exhibit an ability to curiously interrogate the myth of photography, this modern alchemy of creation that often polarizes and exposes. The exhibition hopes to open up new possibilities and actions – a space for thinking, viewing and feeling art created within the photographic medium.” Clare Patrick, Curator

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